Tuesday, 26 August 2008

Allen won�t say no to drugs






Lily Allen doesn�t know if she will stop pickings drugs. The Smile isaac Bashevis Singer, who attempted to poke a passer after going away a London nightspot this week, admits she isn�t a �good person� when she is under the influence of illegal substances but still can�t fetch herself to quit.

She told Paper mag: �I�m non going to say I�m never going to do drugs over again. I just know I�m not a good person on drugs.�

However, she insists she did stop victimization recreational drugs after she discovered she was pregnant last November. Lily, world Health Organization suffered a miscarriage in January, says she vowed to clean up her life for the sake of her unborn child.








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Saturday, 16 August 2008

Download Dry Kill Logic






Dry Kill Logic
   

Artist: Dry Kill Logic: mp3 download


   Genre(s): 

Metal
Metal: Alternative

   







Discography:


The Dead and Dreaming
   

 The Dead and Dreaming

   Year: 2004   

Tracks: 11
Darker Side Of Nonsense
   

 Darker Side Of Nonsense

   Year: 2001   

Tracks: 12
Elemental Evil
   

 Elemental Evil

   Year:    

Tracks: 9






Originally formed in Westchester, NY, in 1995, Dry Kill Logic (isaac M. Singer Cliff Rigano, guitar player Scott Thompson, bassist Dave Kowatch, and drummer Phil Arcuri) is corresponding to such extreme metallic outfits as Pantera, Sepultura, and Fear Factory. Two age later their organisation, Dry Kill Logic issued their number one EP, Cause Moshing is Good Fun, on their hold label, Psychodrama Records. In July of 1998, the quartette re-entered the studio to record its act one full-length album, Elemental Evil, which principal to opening slots with such heavyweight acts of the Apostles as Coal Chamber, Incubus, Anthrax, System of a Down, and the Misfits. After taking 1999 turned, Dry Kill Logic reconvened to do work on their first handout for the Roadrunner Records label, The Darker Side of Nonsense, issued in June of 2001.





Depression Prompts Thoughts Of Death In Cancer Patients

Thursday, 7 August 2008

Paquito d'Rivera Quintet

Paquito d'Rivera Quintet   
Artist: Paquito d'Rivera Quintet

   Genre(s): 
Jazz
   



Discography:


Live at the Blue Note   
 Live at the Blue Note

   Year: 2000   
Tracks: 9




 






Monday, 30 June 2008

Scrapyard fire causes tailbacks ahead of Glastonbury

It was around 11am yesterday that Glastonbury pilgrims looked to the sky. This time, it wasn't a rain cloud.

The thick plume of smoke that rose from the horizon was not - as was variously suggested - either a storm, a tornado, or a "massive spliff", but smoke from a blaze at a scrapyard in the nearby village of Pylle.

For once, Glastonbury was saved by the weather: a strong south-westerly breeze blew the toxic fumes away from the festival, which officially starts today.












The wind avoided the need for an evacuation of the site, but did lead to the closure of the A37, blocking the main route to the site for several hours leaving thousands stranded in traffic. But by the evening the majority of the population of Britain's largest music festival were on site, transforming the Somerset fields into the appearance of a medieval army camp, flags and ribbons rising out of a multicoloured carpet of tents.

The troops came laden with sleeping bags, tents, barbecues, wheelbarrows, dartboards, guitars, sofas and fridges - and, for many, an expectation that they should be rewarded for their loyalty.

This year for the first time since the early 1990s Glastonbury has struggled to sell tickets, though a remaining 800 tickets out of 137,500 were expected to be sold by this morning.

Michael Eavis, the farmer who founded the festival in 1970 and has run it since, has claimed in recent weeks that the slow pace of sales - and their availability over HMV counters - would yield a younger, more edgy crowd.

The view on the ground yesterday was that he was right: the usual montage of rockers, ravers, hippies, couples, families and men in their 30s had turned up. But there were more people like 20-year-old Zoe Fuller, a barmaid from Bristol who bought her ticket on Wednesday, resigned from her job "by text message", and turned up without a tent. "I've only got my flip flops and a bag," she said, opening a small holdall to reveal a packet of tobacco and a pillow.

Glastonbury's liberalised ticket policy also let in the likes of Moley, a 20-year-old from Birmingham with furry boots who, as some kind of rebellion against "the try-hards", is roaming the festival at night stealing flags, then giving them out during the day. "I'm the Robin Hood of festivals," he said.

Although some have blamed tomorrow's headliner Jay-Z for the slump in interest of this year's event, Eavis says three consecutive years of mud were responsible. The Met Office was yesterday forecasting "much better weather than in recent years, with occasionally light showers interrupting what will generally be a dry, sunny weekend".

But the legacy of mud has lived on: at least one in 10 festivalgoers was wearing wellies. Staring at all the green boots, Emily Eavis, who co-runs the event with her father, said: "You just forget you can have a Glastonbury without a cagoule. They don't quite believe they can get their sandals out."

Today's lineup

· On the Pyramid Stage Kings of Leon head the lineup preceded by Editors, the Fratellis and the Feeling
· Over on the Other Stage - Panic At The Disco and We Are Scientists
· Wakefield indie three-piece the Cribs head the lineup on the John Peel Stage, along with the Kills and the Ting Tings
· Jimmy Cliff leads the Jazz World Stage with Fun Lovin' Criminals and Sinéad O'Connor is at the Acoustic Stage
· Fatboy Slim heads up the Dance Village on the East Stage while Utah Saints can be found on G Stage



See Also

Tuesday, 24 June 2008

Hammerfall

Hammerfall   
Artist: Hammerfall

   Genre(s): 
Metal
   Rock
   Metal: Heavy-Metal
   Metal: Heavy
   Metal: Power
   



Discography:


Steel Meets Steel - Ten Years of Glory (cd1)   
 Steel Meets Steel - Ten Years of Glory (cd1)

   Year: 2007   
Tracks: 15


Stee Meets Steel-Ten Years of Glory (cd2)   
 Stee Meets Steel-Ten Years of Glory (cd2)

   Year: 2007   
Tracks: 14


Threshold   
 Threshold

   Year: 2006   
Tracks: 13


Chapter V: Unbent, Unbowed, Unbroken   
 Chapter V: Unbent, Unbowed, Unbroken

   Year: 2005   
Tracks: 10


Blood Bound   
 Blood Bound

   Year: 2005   
Tracks: 3


One Crimson Night (CD 2)   
 One Crimson Night (CD 2)

   Year: 2003   
Tracks: 9


One Crimson Night (CD 1)   
 One Crimson Night (CD 1)

   Year: 2003   
Tracks: 13


Crimson Thunder   
 Crimson Thunder

   Year: 2002   
Tracks: 12


Always Will Be   
 Always Will Be

   Year: 2001   
Tracks: 4


Renegade   
 Renegade

   Year: 2000   
Tracks: 10


Renegade   
 Renegade

   Year: 2000   
Tracks: 3


Live In Sweden (bootleg)   
 Live In Sweden (bootleg)

   Year: 1999   
Tracks: 10


I Want Out (ep)   
 I Want Out (ep)

   Year: 1999   
Tracks: 3


Legacy Of Kings   
 Legacy Of Kings

   Year: 1998   
Tracks: 10


Heeding The Call (ep)   
 Heeding The Call (ep)

   Year: 1998   
Tracks: 5


Glory To The Brave(Singles)   
 Glory To The Brave(Singles)

   Year: 1997   
Tracks: 4


Glory To The Brave   
 Glory To The Brave

   Year: 1997   
Tracks: 9




Following their formation in 1993, Hammerfall underwent legion personnel department changes before subsiding on their current batting order, which includes principal songwriters Joachim Cans (vocals) and Oscar Dronjak (guitars). In Flames skinbeater Jesper Stromblad contributed to their debut, although Patrick Rafling replaced him shortly afterwards. Since the release of their debut Aura to the Brave in 1997, Hammerfall have got become one of the toasts of the Eurometal tantrum, residing in Germany's Top hundred for over two months, with Glory dubbed Album of the Year by Rock Hard magazine publisher. The Swedish bikers have too played numerous metallic element fests, including the Wacken Open Air Festival; they returned in 1999 with the EP I Want Out. Renegade was issued a year later.





Girlschool

Monday, 23 June 2008

Janet Jackson Offers To Open For Brother Michael

Janet Jackson is offering to open up for her brother Michael if he signs to a spectacular Las Vegas residency. Jackson prompted speculation he would headline his own Sin City residency when an equity group linked to the Las Vegas Hilton helped him save his Neverland Ranch from foreclosure. His younger sister Janet has no idea if he will go ahead with the show - but is extending an offer to make it go off with even more of a bang. Speaking on Bet network TV show 106 & Park on Tuesday (3Jun08), she says, "I've heard that (story) for a while, but I don't know. "I would love to (open up for him)."


See Also

Jim Dickinson is the dad behind the North Mississippi Allstars








JACKSON, Miss. - Jim Dickinson has played with Dylan, opened for Clapton and helped define the Memphis sound in a 40-year career as a music maverick. But his favourite gig came with the little-known Hardly Can Playboys.

Dickinson played keys for the short-lived quintet that featured his eldest son, 15-year-old Luther, on guitar and the youngest, 12-year-old Cody, behind the kit. These days his sons are better known as two-thirds of the North Mississippi Allstars, the roots-rockers who did papa proud by helping revitalize the sagging blues scene.

"He would teach us a rock 'n' roll song, a gospel song, a country song, all different types of roots music," Luther Dickinson said in the back of his tour bus during a recent stop in Jackson. "I learned to play with a piano player and I learned to play different types of music that he loved. And that's always been a huge aspect of our career."

The Allstars have carved out a unique niche with their Hill Countrified blend of rock and blues. They just wrapped up a 20-city tour in support of their sixth album, "Hernando," an homage to the Memphis suburb of their childhood that turned out to be the perfect incubation chamber for a couple of aspiring musicians.

Twelve years after forming, the Allstars have been nominated for three Grammys, played hundreds of gigs around the world and are secure in their careers. They've achieved the kind of success every father hopes for but Dickinson wasn't always sure his sons were headed in that direction, as they banged away on clunky chord changes and slightly arrhythmic beats.

The Hardly Can Playboys was Dickinson's way of passing on a legacy and a career to his sons.

Considering what they'd given him, it was the least he could do.

"It's always about fathers and sons to me," Dickinson said. "You've got to understand that they saved my life. It was the '70s and the drugs and the lifestyle that we were all a part of. I have a graveyard full of dead friends and my boys very definitely saved my life. I owe them for that. I always will."

As he has in an eclectic career as artist, sideman and producer, Dickinson, 67, turned conventional wisdom upside down after his sons were born. He showed rock 'n' rollers don't have to live the rock 'n' roll lifestyle. And he subverted the idea that a great dad has to be a nine-to-five square.

"My first experiences with live music were his bands, Mudboy and the Neutrons particularly," Cody Dickinson said. "I continue to mine my father's repertoire for material, and it's really working out."

Music was everywhere as the boys grew up, from the blues-and R&B-informed rock their father played to the ancient bluesmen he befriended to the itinerant sidemen who ate in their mother's kitchen and slept out back in the barn.

Dickinson's credits stretch back four decades to when he first met his wife of 44 years, Mary Lindsay. He's managed an outsider's career in an insider's industry, recording and producing with greats like Aretha Franklin, Big Star, the Rolling Stones and Sam and Dave.

It wasn't until his sons came along that he found his true calling, though. Luther, now 35, said their father tried to discourage them but the kids were "goners."

When dad wasn't teaching them chords, he was giving them lessons in musical taste with his expansive record collection. They first heard R.L. Burnside and Otha Turner mining that stack of vinyl.

"And when I first saw Jimi Hendrix on a public TV station," Luther Dickinson said, "he was like, 'Oh, here, you'll like this.' "

He took them to see everybody from Guns 'n' Roses to Junior Kimbrough and they tagged along on gigs if the club wasn't too sketchy.

They both started on toy drum kits and Luther eventually turned to the guitar. Their first gig was in elementary school as the Rebelaires. The Dickinsons thought they were their kids' biggest fans, but found they were just members of the club.

"They just tore down the house," Mary Lindsay said of that first gig. "They were late coming out and Jim says, 'Luther, where were you?' And Luther said, 'Well, I had to talk to all the girls.' "

The boys spent all their free time in the basement. The racket was a joyful noise to Jim Dickinson.

"I'd hear them playing what appeared to be chaos only they were doing it together, you know," he said. "And they're still largely unaware of it when it happens because it's so natural. And it enables them to improvise in a way even really great jazz musicians can't."

Cody, 32, proved a polyrhythmic natural. By 12 "he was playing like a man" and taking solos in concert. Luther didn't have the same gift. Though his first word was "studio" and he was fascinated with his father's reel-to-reel tape players, he had to work for every note he played.

"I'm not going to lie to you," Jim told Luther. "Keep practising. I'm not going to tell you you can play until you get somewhere with it."

When the boys began writing songs, Dickinson took them to Sam Phillips' studio. If anybody could get a record out of them, it was the veteran Memphis producer Roland Janes. But they weren't ready.

So he recruited a couple of friends to play bass and sax and set up the Playboys. Those were among the best gigs of Jim Dickinson's life. But at the same time he was teaching the boys, they had an impact on him.

"If you look back at my records that I've made as a producer, they're pretty left wing," he said. "It's some pretty off-the-wall stuff. Especially in the punk rock days. I literally took clients because I thought it would impress my children."

After a year, Dickinson decided the kids were all right. Luther remembers that day with pride: "When I was 16, he was like, 'Son, you've got a car, a guitar and an amp. Go see what you can hustle up. There's nothing more I can do for you."'

-

On the Net: Zebra Ranch: www.zebraranch.com

North Mississippi Allstars: www.nmallstars.com

Jim Dickinson discography: http://koti.mbnet.fi/wdd/jimdickinson.htm










See Also